This is, by general consent, the greatest of all Lieder cycles, and the second that Schubert based on Müller’s poems. Max van Egmond and Penelope Crawford here present a profoundly moving performance, enhanced by the use of an original 1835 fortepiano by the great Viennese maker, Conrad Graf.
Reviews: Classical Voice of New England
June 1, 2006
1090 in stock